{"product_id":"os-dias-que-foron-2014-2018-br-jesus-garcia","title":"The days that were. 2014–2018\u003cbr\/\u003eJesús García","description":"\u003chr class=\"hrpersonalizado\"\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e20% off\u0026nbsp;\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ePre-order your copy\u003cbr\u003eShipping begins on 11 November 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr class=\"hrpersonalizado\"\u003e\n\u003cp class=\"p1\"\u003eI was part of a group of friends—there were initially eleven of us; later we grew to fourteen, and sometimes we were only five—who, three months after finishing our Fine Arts degree in Madrid, moved to the village of Os Blancos (Ourense) without really knowing why. Our only guide in this remote, isolated municipality was a classmate from Xinzo de Limia, who told us about an abandoned building that we might “perhaps” be allowed to use. And we were.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eSo off we went: a mixture of young people from Burgos, Madrid, Valladolid, and Galicia, all ready to live together, build a community, and develop an artistic project. That’s how Espacio Matrioska was born. One of them—the author of these lines—also brought his camera and started snapping away from day one. I spent just over four years there, until our life together fell apart and I returned to Madrid.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003ci\u003eThe days that were. 2014–2018\u003c\/i\u003e is a visual record, an intimate diary of those years in a place that didn’t initially feel like home, but which eventually became one, leaving a deep sense of nostalgia in someone originally from Madrid with Andalusian roots. This work aims to celebrate the people and the moments shared at the foot of the Raíña Loba rocks and on the threshold of the mountain ranges of O Xurés, in the Limia region—cold in winter and scorching in summer. A proposal for reconciliation.\u003c\/p\u003e\n\u003chr class=\"hrpersonalizado\"\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003e“[…] Jesús García’s project \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Days That Were. 2014–2018\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e successfully weaves an intimate yet collective narrative, conveying the aspirations and ideals of youth without concealing the contradictions and conflicts inherent in communal life. Moving away from the paternalistic gaze so often found in projects that explore the transition into adulthood, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Days That Were\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e proposes a form of domestic, inward-looking documentary photography: a search for individual and collective identity, rooted in the need for—and the hopeful joy of—building alternatives and new territories, alongside an awareness of the ruins left by time and memory.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e(Excerpt from the jury’s statement for the 5th FFOCO Galician Documentary Photography Publishing Award.)\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"entry-content\"\u003e\n\u003carticle id=\"post-744\" class=\"post-744 ec_publicacion type-ec_publicacion status-publish hentry\"\u003e\n\u003cdiv class=\"entry-content\"\u003e\u003chr class=\"hrpersonalizado\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.jesuuus.com\/\"\u003eJesús García\u0026nbsp;\u003c\/a\u003e\u003c\/p\u003e\n\u003chr class=\"hrpersonalizado\"\u003e\n\u003cp\u003eJesús García (Madrid, 1992\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePhotographer, videographer and visual storyteller.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"entry-content\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"entry-content\"\u003e\n\u003cp\u003e\u003cspan\u003eHe graduated in Fine Arts from the Complutense University of Madrid in 2014 and received a scholarship to study for a Master’s degree in Author Photography at EFTI School of Photography in 2021.\u0026nbsp;\u003c\/span\u003e\u003cspan\u003eHis artistic practice lies somewhere between documentary and authorial photography. He explores themes related to memory and the construction of collective narratives, with a particular focus on rural life, tradition, and the relationship between cities and the natural environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe combines his personal artistic projects with his work as a freelance photographer and videographer, working extensively in the music industry for clients such as Warner Music and various independent record labels; in the cultural sector, with organisations including La Casa de la Arquitectura, Museo Reina Sofía and ARCO; in the press, for publications such as \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eABC\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eForbes\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eJazzMagazine\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e; and for a range of private clients.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr class=\"hrpersonalizado\"\u003e\n\u003cp class=\"entry-title\"\u003eFicha técnica\u0026nbsp;\u003c\/p\u003e\n\u003chr class=\"hrpersonalizado\"\u003e\n\u003ctable style=\"width: 565px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003e\n\u003cp\u003eRef:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003ef.30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003eTitle:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003eOs días que foron. 2014–2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003ePublished:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e31\/11\/2027\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003ePrint run:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e300\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003ePhotography:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003eJesús García\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 39px;\"\u003e\n\u003cp\u003eEdited by:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 39px;\"\u003e\n\u003cp\u003e\u003cspan\u003eCibrán Rico López\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJesús Vázquez Gómez\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003eDesign:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\u003cspan\u003edesescribir\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003ePages:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\u003cspan\u003e80\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003eSize:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\u003cspan\u003e245 x 330 mm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003eLanguages:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\u003cspan\u003eGalego \/ Inglés\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003ePrinting:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\n\u003cp\u003e\u003cspan\u003eÓfset (CMYK e Tritono)\u0026nbsp;\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003eBInding:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\n\u003cp\u003e\u003cspan\u003eGrampado a cabalete\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003ePaper stock:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\n\u003cp\u003e\u003cspan\u003eArena Natural Rough 140 g\/m2\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003ePrinter:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\n\u003cp\u003e\u003cspan\u003eAgencia Gráfica\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003eBinder:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\u003cspan\u003eLegatoria\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px;\"\u003eISBN:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\n\u003cp class=\"p1\"\u003e979-13-990100-9-1\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\"\u003e\n\u003ctd style=\"width: 205.203px; height: 19px; vertical-align: top;\"\u003eNotes:\u003c\/td\u003e\n\u003ctd style=\"width: 343.797px; height: 19px;\"\u003e\n\u003cp class=\"p1\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eThe days that were. 2014–2018 \u003c\/i\u003e by Jesús García was recognized in 2025 with the 5th Editorial Award \u003cbr\u003efor Galician Documentary Photography, created and promoted by FFoco Photography Festival of A Coruña with the aim of promoting the creation and production of photobooks with a Galician connection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eThe 5th Editorial Award for Galician Documentary Photography is fully supported and funded by The MOP Foundation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u0026nbsp;\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fila\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"fila\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":54475574280539,"sku":"f16","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/3153\/3915\/files\/01_ffc75c1b-90fa-43a2-8a14-7dde31be78b1.jpg?v=1792753173","url":"https:\/\/fabulatorio.com\/en\/products\/origin-or-when-the-tide-goes-out-1","provider":"Fabulatorio","version":"1.0","type":"link"}